Wolfgang Tillmans could well be the coolest photographer on the planet. Always imitated, never bettered, he’s the lens-meister of the zeitgeist, the photo-journo who went artside, a man in constant demand, moving effortlessly from magazine to fashion shoot to gallery retrospective. From the portraits that made him famous to the still lifes and landscapes, discover Tillmans’s high-color, dirty realist heaven.
Published by Taschen
Hardcover, 3 vols. in slipcase, 7.3 x 9.6 in., 556 pages
Multilingual Edition: English, French, German
Accept no substitutes: Wolfgang Tillmans could well be the coolest photographer on the planet. Always imitated, never bettered, he’s the lens-meister of the zeitgeist, the photo-journo who went artside, a man in constant demand, moving effortlessly from magazine to fashion shoot to gallery retrospective. He creates identities, he’s the brand name of hip. From Ray Gun to i-D, his images feel iconic before they’re out of the fluid. I’ll be your mirror, he whispers, and the Gen X-kids find themselves reflected in his always open pictures.
From the portraits that made him famous, through the still lifes and landscapes (undermining the genres with every shot), Tillmans’s work is high-color, dirty realist heaven. Finding the still point in the information overload, the sexuality in the machine, and the image in the image saturation, Tillmans gives us the brief epiphanies we might just remember as our own.
TASCHEN’s 3 Wolfgang Tillmans books packaged together as a special set: Tillmans, Tillmans Burg, and Truth Study Centre.
About the Photographer
Wolfgang Tillmans was born in Remscheid, Germany, in 1968 and studied at Bournemouth & Poole College of Art and Design. He is widely regarded as one of the most influential artists of his generation. His work, whilst appearing to capture the immediacy of the moment and character of the subject, also examines the dynamics of photographic representation. From the outset he ignored the traditional separation of art exhibited in a gallery from images and ideas conveyed through other forms of publication, giving equal weight to both. His expansive floor to ceiling installations feature images of subcultures and political movements, as well as portraits, landscapes, still-lives and abstract imagery varying in scale from postcard- to wall-sized prints. His work has been shown at the Museum of Modern Art, New York, in 1996 and Tate Britain, London, in a major retrospective in 2003. He was awarded the Turner Prize in 2000.