Bruce LaBruce
Henzel Studio
Robert Knoke
Robert Knoke "Bruce LaBruce": Henzel Studio Collaborations Art Rug
Details
Robert Knoke "Bruce LaBruce": Henzel Studio Collaborations Art Rug
Hand Knotted Rug. Limited Edition and Numbered.
100% New Zealand Wool and Silk. 150 knot.
Available sizes:
65 x 86.5 inches (165 x 220 cm)
71 x 96.5 inches (180 x 245 cm)
79 x 104 inches (200 x 265 cm)
c89 x 118 inches (225 x 300 cm)Made to order. Please expect 18 weeks for delivery.
Custom sizes available upon request. Please email us at info@tomoffinlandstore.com for inquiries.
Shipping included in price
Handmade in Nepal
Produced by Henzel Studio
Read About Robert Knoke for Henzel Studio in Interview Here
For HENZEL STUDIO, Robert Knoke pulled an abstraction from his portrait of artist Bruce LaBruce, a composition consisting of a dense mass of Knoke’s fingerprints.
“I like the moment when the act of drawing exuberates raw energy, it’s also about speed that I try to capture by moving my blackened fingers very fast over the paper. It is like hitting the keyboard of a piano very hard and fast, where each touch leaves a fingerprint.”
Robert Knoke
Born in Hanover, Germany
Lives and works in Hanover, Germany and New York City, USA
Robert Knoke gained worldwide recognition over the past ten
years for his large-scale drawings of personalities shaping contemporary culture. He explores the genre of portraiture and its role in an era dominated by photography, redefining the genre for the 21st century. Knoke has obsessively developed an impressive body of work with a unique and vigorous signature style. His depiction of the human face and figure, neither illustrative nor defined by context, is delicate, sophisticated and elegant, and at times even dark, brutal and disturbing. Insistently working in solitude, he creates a self-imposed distance from his subjects working off of photographs he takes during first-time meetings with his subjects. In these informal settings, he carefully directs posture and facial expression with impulse, and moments later documents with a rawness that is comparable to mug shots. Knoke refrains from capturing an emotional facet of his subjects. Instead, he seeks to capture the raw and individualistic aspect that he initially and instinctually is drawn to. In the physical drawings, the figure stays planted within a space that disregards spatial or temporal boundaries. Abstractions are at times applied with fingerprints, paint smudges, monochrome forms or gestural lines, further shaping the figure and holding it in place.
Although one would think that portraiture is the main theme of Knoke’s work, he is more concerned about the actual drawing than the life-like outcome of his subjects. For him, portraiture is just a point of departure, a vehicle to be able to explore the media itself. Still, Knoke curates his selection of subjects based on his own interests in culture, resulting in a personal embodiment of himself. People that have sat for Robert Knoke include Iris Apfel, Fabien Baron, Bret Easton Ellis, Nicola Formichetti, Gilbert & George, Gossip, Debbie Harry, Roni Horn, Marc Jacobs, The Kills, Terence Koh, Rick Owens, Andrée Putman, Patti Smith, Casey Spooner, Michael Stipe, Liza Thorn, Lawrence Weiner and Olivier Zahm, to name a few.
Bruce LaBruce
For over a quarter-century the auteur/provocateur known as Bruce LaBruce has been disrupting, dissecting, and disrobing in the name of cinema. Blasted into the demimonde of underground punk moviemaking with his feature debut, No Skin Off My Ass, LaBruce quickly established that, while he was certainly game for exploring the messy, sticky zones of fringe film, he was actually the unholy product of arthouse auteurism. From Robert Altman to Federico Fellini and Werner Herzog, LaBruce mines the sacred texts of the canon and inserts his own revolutionary gay-sex-positive narratives. Layered with scathing wit and a fundamental rejection of capitalist control over the mind and body, his films and photographs take to task the mainstream porn industry as well as Hollywood. In this spirit, he has collaborated with actors—like Slava Mogutin, Tony Ward, and Francois Sagat—who swing between art and commerce, fashion and filth, the avant-garde and the boulevard. Bruce LaBruce’s particular brand of regal queer fecundity has spawned a generation of feral filmmakers (and ravenous audiences).
Henzel Studio
Henzel Studio’s ethos is based on the artistic practice of Calle Henzel, founder and creative director. Over the past twenty years, he has translated his artistic practice as painter and collage artist into the medium at hand, positioning Henzel Studio as one of the most progressive luxury rug brands in the world. The organic and artistic process of Calle Henzel has been the driving force in the development of Henzel Studio’s designs. He has over the years in an un-compromised fashion challenged the traditional conventions of subject matter, shape, finishings and special treatments as a result of painstaking research that includes vintage treatments, intricate surface compositions and even natural erosion – methodologies that further blur the distinction between art and design. Under the curation of Joakim Andreasson, Calle Henzel has collaborated with some of the most prominent names in contemporary art and artists foundations including Tom of Finland Foundation and The Andy Warhol Foundation for the Visual Arts. Since the launch of 'Henzel Studio Collaborations' at Barneys New York Madison Avenue in 2014 during Frieze Art Fair, Henzel Studio has developed art rugs with over thirty contemporary artists including Richard Prince, Helmut Lang, Jack Pierson, Nan Goldin, Scott Campbell, Richard Phillips, Marilyn Minter, Mickalene Thomas and Anselm Reyle. Via 'Henzel Studio Heritage' extensive collections have also been developed in collaboration with artist estates, that to date include Andy Warhol Foundation for the Visual Arts and Tom of Finland Foundation.
Robert Knoke
Robert Knoke gained worldwide recognition over the past ten years for his large-scale drawings of personalities shaping contemporary culture. He explores the genre of portraiture and its role in an era dominated by photography, redefining the genre for the 21st century. People that have sat for Robert Knoke include Iris Apfel, Fabien Baron, Bret Easton Ellis, Nicola Formichetti, Gilbert & George, Gossip, Debbie Harry, Roni Horn, Marc Jacobs, The Kills, Terence Koh, Rick Owens, Andrée Putman, Patti Smith, Casey Spooner, Michael Stipe, Liza Thorn, Lawrence Weiner and Olivier Zahm, to name a few.