Jean-Michel Basquiat
Jean-Michel Basquiat in Italian Rubber Exercise Mat
Details
This graphic and eco-conscious mat features Basquiat's artwork In Italian. Composed of natural tree rubber & recycled bottle plastic, this yoga mat is biodegradable and free from PVC, silicon, and phthalates. Comes with adjustable nylon carry strap.
- Size: 72x24 inches (183x61 cm); 3.5 mm thick
- Weighs approximately 5 lbs
- No slip mat - lightly spraying water on the top surface of the mat before practice will improve grip
- Made in China
- Machine washable; Hang to dry (do not put in the dryer)
About the artwork: By combining imagery and texts in his art, Jean-Michel Basquiat’s works made reference to his influences from popular culture including cartoons, comic books, and advertisements to an education and curiosity in anatomical drawings, history and classic works of art, literature, and music. In Italian depicts many of these symbols including the profile of George Washington on the quarter, Latin verse, and the words “Crown of Thorns”.
Image: In Italian, 1983
© Estate of Jean-Michel Basquiat
Licensed by Artestar, New York
Jean-Michel Basquiat
A poet, musician, and graffiti prodigy in late-1970s New York, Jean-Michel Basquiat had honed his signature painting style of obsessive scribbling, elusive symbols and diagrams, and mask-and-skull imagery by the time he was 20. “I don’t think about art while I work,” he once said. “I think about life.” Basquiat drew his subjects from his own Caribbean heritage—his father was Haitian and his mother of Puerto Rican descent—and a convergence of African-American, African, and Aztec cultural histories with Classical themes and contemporary heroes like athletes and musicians. Often associated with Neo-expressionism, Basquiat received massive acclaim in only a few short years, showing alongside artists like Julian Schnabel, David Salle, and Francesco Clemente. In 1983, he met Andy Warhol, who would come to be a mentor and idol. The two collaborated on a series of paintings before Warhol’s death in 1987, followed by Basquiat’s own untimely passing a year later.
