Keith Haring
Keith Haring: Art Is for Everybody
Details
Lavishly illustrated with essays and reflections by cultural leaders, Keith Haring: Art Is for Everybody surveys Haring’s dynamic art practice from 1978 to 1990, shining a bright light on the iconic and beloved artist known for his fluid, uniform lines, intricate compositions, and repeating imagery such as the barking dog and radiant baby. Forty years after he came to prominence, Haring’s art continues to garner worldwide recognition, breaking down barriers and spreading joy, while taking on complex issues that remain crucial today, from environmentalism, capitalism, and the proliferation of new technologies to religion, sexuality, and race.
Titled after a quote from Haring’s journals, Art Is for Everybody centers on the artist’s activism, the emphasis he placed on community, and his egalitarian approach to art and life. The volume is organized chronologically and thematically, emphasizing Haring’s work made with publics in mind such as the subway drawings and murals, his collaborative practice, and his unflinching belief that art is essential in making a better world.
- Hardcover
- 11.25" H x 11.25" W
- 256 pages
© Keith Haring Foundation. Licensed by Artestar, New York.
Keith Haring
Bridging the gap between the art world and the street, Keith Haring rose to prominence in the early 1980s with his graffiti drawings made in the subways and on the sidewalks of New York City. Combining the appeal of cartoons with the raw energy of Art Brut artists like Jean DuBuffet, Haring developed a distinct pop-graffiti aesthetic centered on fluid, bold outlines against a dense, rhythmic overspread of imagery like that of babies, barking dogs, flying saucers, hearts, and Mickey Mouse. In his subway drawings and murals, Haring explored themes of exploitation, subjugation, drug abuse, and rising fears of nuclear holocaust, which became increasingly apocalyptic after his AIDS diagnosis. Alongside Jean-Michel Basquiat, Kenny Scharf, and Jenny Holzer, Haring is regarded as a leading figure in New York East Village Art scene in the 1970s and '80s.